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Scientists who have reviewed What the Bleep Do We Know!? have described distinct assertions made as pseudoscience.[12][13] Lisa Randall refers to the film as "the bane of scientists".[14] Amongst the assertions in the film that have been challenged are that water molecules can be influenced by thought (as popularized by Masaru Emoto), that meditation can reduce violent crime rates of a city,[15] and that quantum physics implies that "consciousness is the ground of all being." The film was also discussed in a letter published in Physics Today that challenges how physics is taught, saying teaching fails to "expose the mysteries physics has encountered [and] reveal the limits of our understanding". In the letter, the authors write: "the movie illustrates the uncertainty principle with a bouncing basketball being in several places at once. There's nothing wrong with that. It's recognized as pedagogical exaggeration. But the movie gradually moves to quantum 'insights' that lead a woman to toss away her antidepressant medication, to the quantum channeling of Ramtha, the 35,000-year-old Lemurian warrior, and on to even greater nonsense." It went on to say that "Most laypeople cannot tell where the quantum physics ends and the quantum nonsense begins, and many are susceptible to being misguided," and that "a physics student may be unable to convincingly confront unjustified extrapolations of quantum mechanics," a shortcoming which the authors attribute to the current teaching of quantum mechanics, in which "we tacitly deny the mysteries physics has encountered".[12]
Richard Dawkins stated that "the authors seem undecided whether their theme is quantum theory or consciousness. Both are indeed mysterious, and their genuine mystery needs none of the hype with which this film relentlessly and noisily belabours us", concluding that the film is "tosh". Professor Clive Greated wrote that "thinking on neurology and addiction are covered in some detail but, unfortunately, early references in the film to quantum physics are not followed through, leading to a confused message". Despite his caveats, he recommends that people see the film, stating: "I hope it develops into a cult movie in the UK as it has in the US. Science and engineering are important for our future, and anything that engages the public can only be a good thing." Simon Singh called it pseudoscience and said the suggestion "that if observing water changes its molecular structure, and if we are 90% water, then by observing ourselves we can change at a fundamental level via the laws of quantum physics" was "ridiculous balderdash". According to João Magueijo, professor in theoretical physics at Imperial College, the film deliberately misquotes science.[13] The American Chemical Society's review criticizes the film as a "pseudoscientific docudrama", saying "Among the more outlandish assertions are that people can travel backward in time, and that matter is actually thought."[15]
Come on, give us a break. The last shot is cheap and phony. Either he hits the homer and then dies, or his bleeding was just a false alarm. If the bleeding was a false alarm, then everything else in the movie was false, too. But I guess that doesn't matter, because "The Natural" gives every sign of a story that's been seriously meddled with. Redford has been placed so firmly in the foreground that the prime consideration is to show him in a noble light. The people in his life -- baseball players, mistresses, gamblers, crooks, sportswriters -- seem grateful to share the frame with him. In case we miss the point, Redford is consistently backlit to turn his golden hair into a saintly halo.
As for the baseball, the movie isn't even subtle. When a team is losing, it makes Little League errors. When it's winning, the hits are so accurate they even smash the bad guy's windows. There's not a second of real baseball strategy in the whole film. The message is: Baseball is purely and simply a matter of divine intervention. At about the 130-minute mark, I got the idea that God's only begotten son was playing right field for the New York team.
Watch the movie at least twice. Use the first time to take some notes and to get some ideas. Use the second time for the actual taping. Use sources such as the Internet Movie Database ( ) to research the actors and their previous films. The database also has comments, quotes, and goofs from the movie. Films that were more popular will have better information.
Day six was a rehearsal day. On day seven, they shot the host scenes; on day eight, they shot the movie sequence. About 98% of the lines you heard were directly from the script. While the first shows on cable access were unscripted, later shows had between five and eight writers. Each writer was free to concentrate on portions of the film they thought would yield the best comic gold. The last day was for editing and cleanup.
The patient having an acute gastrointestinal hemorrhage seeks a physician's help because of hematemesis, melena, or hematochezia, or because of symptoms of hypovolemia such as fainting or lightheadedness. In the patient who may be bleeding profusely and need immediate treatment, directed rather than open-ended questions are appropriate. The examiner should ask the patient if vomiting occurred, if blood or clots were present in the emesis, and if the vomitus looked brown, like coffee grounds, indicating the probable presence of blood. A bloody appearance is readily identified as hematemesis, but the coffee-ground appearance will not be recognized without direct questioning. Hematemesis indicates that the bleeding is from the upper gastrointestinal tract, usually from the esophagus, stomach, or proximal duodenum. Occasionally hemoptysis or vomiting of swallowed blood from epistaxis can be confused with hematemesis. A careful history usually resolves this confusion. Hemoptysis is associated with coughing and is bright, foamy red in color. The patient with profuse epistaxis is almost invariably aware that a nosebleed has occurred.
Melena is the most common presenting symptom of major gastrointestinal hemorrhage. About 90% of quantitatively important gastrointestinal bleeding episodes occur from sites above the ligament of Treitz. Melena usually means bleeding from this location. It takes 50 ml or more of blood in the stomach to turn stools black. One to two liters of blood administered orally will cause bloody or tarry stools for up to 5 days, the first such stool usually appearing within 4 to 20 hours after ingestion. Thus, a melenic stool is indicative of recent hemorrhage but does not indicate the presence or rapidity of bleeding at the time of passage. Administration of blood into the small intestine or cecum can cause melena if the blood remains in the intestine long enough. This makes the hypothesis untenable that melena is caused by the effect of gastric acid and pepsin on blood. Although melena usually means upper gastrointestinal hemorrhage, the small intestine and cecum should be studied if no cause for bleeding is found in the esophagus, stomach, or duodenum.
Esophagogastroduodenoscopy is the preferred method for diagnosis of upper gastrointestinal hemorrhage. With the development of therapeutic endoscopic techniques, an aggressive stance favoring early endoscopy for diagnosis in all patients makes sense. Proctoscopy will demonstrate bleeding from hemorrhoids, rectal lesions, and ulcerative colitis. Active colonic bleeding is frequently from above the reach of the proctoscope and makes colonoscopy difficult by impeding the view, although modern methods of bowel preparation have partially overcome this problem. Either an isotopic study, using labeled erythrocytes, or angiography may be helpful during active colonic hemorrhage, but these techniques have limitations. Angiography requires active and substantial bleeding to be diagnostic. With the radioisotopic study, intermittent bleeding will allow a positive test, but precise localization of the site is difficult. Colonoscopy should be used if bleeding ceases. Barium studies make subsequent angiography or endoscopy difficult and should be avoided.
Patients who have bled need attention to their long-term management as well as to the medical emergency that the hemorrhage constitutes. Optimal care requires development of a long-term treatment plan that maximizes wellness and minimizes the morbidity of the underlying disease. If the bleeding does not stop, operation is usually indicated. Bleeding, however, will stop or can be stopped in the majority of patients. At this point, it becomes important to manage the underlying disease aggressively. Acid-peptic disease should be treated to prevent recurrences by use of prolonged pharmacologic therapy. Until further controlled studies become available, esophageal varices should be obliterated by endoscopic sclerosis and the underlying liver disease treated to lower portal pressure. Shunt procedures are rarely needed. Precipitating causes, such as analgesic use, should be avoided. The patient must be educated about bleeding so that early therapeutic intervention is possible during a recurrence.
I use the term exhibitive labor rather than exhibition or exhibitor labor to broaden the scope of work traditionally associated with film exhibition. Exhibition is historically descriptive of the act of screening a film in a movie theater, while exhibitor refers to the theater owner. Exhibitive, or that which serves exhibition, is inclusive of the broadened organizational work of the neo-art house past ownership or projection. 2ff7e9595c
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